Friday, November 13, 2020

Destiny 2: Beyond Light

My first experience with the Destiny series was the original game; a rental of the PS3 version from the local Redbox. After the first 8 hours I returned the game back. I found it to be a generic shooter, with too many enemies, bosses with too much health, too much fussing about in menus, and writing that was too overwrought.

It was pretty though.

My experience with the second game didn't go much better. A extended free trial offered during 2018's Blizzcon, I suffered through an opening sequence that was so cringey in tone and dialogue I had to call my wife in to see it. The gameplay was much the same. Enemies seemed to be a bit more interesting to fight as they varied in their attack and defensive movements. The bosses were not better though. I almost lost the first boss fight as my morale was sapped from a bullet sponge boss fight that bored me to near tears. I gave it a couple of more hours as the game heaped system upon system on me. Eventually I hopped in my spaceship and Alt-F4 out of there. The game sat on my hard drive ever since.

So what compelled me to jump in for the latest expansion, Beyond Light? For one, the game and all of its expansions come with Xbox Game Pass. Secondly, I needed something relatively mindless to play on the upstairs TV. Thirdly, my therapist says I engage in too much all or nothing thinking. Taking a game I'm critical of and just enjoying it for what it is feels like a good test.

Friday, October 16, 2020

The Hyperkin Duke Wired Controller - Has Science Gone Too Far?

 


My school growing up didn't do the Console War thing. Whereas the schoolyards elsewhere were a dogfight of Nintendo versus Sega or Microsoft vs. Sony, our little rural town of Ohio was a veritable worker's paradise. In the halcyon years of 2001 and 2002, some our friend group owned, PlayStation 2s, some GameCubes, and the occasional Xbox. (The three of us who had bought Dreamcasts had fled to the other consoles by this time.) Instead of the typical school yard pissing match, we discovered the radical idea of going to each other's houses to play each other's consoles.

Small town communities can really shake out a lot of different ways.

Microsoft was a bit of an enigma to us at the time. We presumed the Xbox wasn't going to be much more than a Dreamcast 2. A short-lived console with some promising looking titles that would stretch our junior-high budgets too thin to buy yet another console this generation.

But our friend Matt took the gamble. The only one of us to take the risk of buying an Xbox at launch; he was naturally who we turned to when news of this Halo game surfaced. Word was the local multi-player was pretty good. We were also told that Fuzion Frenzy was the superior successor to Mario Party. Our information was sometimes incomplete.

This is is it Chief.

While Halo proved to be a good time, and Fuzion Frenzy proved to ... not, we made another discovery. The Xbox had a stupidly ginormous controller. 



And that made sense to us. The Xbox itself was the biggest console to date. It was marketed towards a "mature" audience. It wasn't made from a Japanese manufacturer with their "obviously" smaller hands. We saw the DUKE and we were impressed.

It wasn't until years later that I found out that that Duke was overwhelmingly unpopular. So unpopular that Microsoft stopped shipping this Titanic controller with the console and replaced it with the 'S', the smaller and more ergonomic controller that was shipped with the console in Japan. Turns out controllers are a certain size for a reason.

But I've always held a fondness for the Duke, even though I've never owned one. I didn't buy an original Xbox for myself until my adult years. I'm hesitant to buy used controllers online if I can avoid it and I've only ever found 'S' controllers in person.

I don't know why I like the Duke so much. But it does feel substantial and I like the button placement and distance. The GameCube controller looked like a toy comparatively. I'm not someone with a robust 'American' frame. I'm about average height at 5'8" (172 cm) and, presumably, have the proportional hands to go with it. But the Duke always felt proper in my hands. This is in contrast to the Nintendo handhelds over the years. The button distance seen on the DS, 3DS, and Switch joycons are too close together for long play sessions. Perhaps I'm just a bit ham-thumbed compared to most, but I find the PS4, Xbox One, and Switch Pro Controllers to be just about perfect. The Duke, however, has always struck me as an excellent fit for my hands.

So it was definitely on my radar back in 2018 when Hyperkin announced a modern day Duke controller with USB plugs for Xbox One and PC. It was expensive though, costing more than a standard Xbox One controller and I just presumed I'd need to pick one up used years down the line. But the thing always seemed in stock at various retailers. Amazon's Prime Day had one for cheap and I pounced on it.


The packaging is certainly premium. The controller is nestled in stiff black foam and comes with a small card thanking various people for their work on the controller. It gives off the impression of unboxing a successful Kickstarter project. And that makes sense: what could have possibly been the market for 20 year old failed controller? It's a niche product for enthusiasts and its treated like such.

First impressions? It's big. Just unnecessarily big. Comparing this thing to its successor, the Xbox S controller, is a laugh.


I thought I remembered how big this thing was but I apparently did forget. But it's easy to see why this wasn't a big deal to me back in 2001. Having owned a Dreamcast, I was used to unusually large controllers that had two slots for plugging in memory cards. The Xbox really did feel like the Dreamcast 2 to us at the time. And that begins to segue into discussing the features of the new Duke.

What happened to those two memory card slots? Replaced with a bit of plastic that looks a bit like a vent. It keeps with the overall "edgy" design of the controller. It doesn't look out of place. The other big feature? The animated jewel in the middle of the controller. The classic controller just featured a graphic of the Xbox logo. On the new Duke its literally a screen that shows the original Xbox startup animation whenever you plug in the controller. It's a complete gimmick and probably responsible for the higher price tag. It's cool the first few times but then I stopped noticing it. If the controller had a small speaker the like a Wiimote to also play the startup sounds it would have had more impact.


As for playability it mostly does pretty well. The analog sticks, face buttons, and triggers feel great. I think they feel better to the press than the Xbox One controller does, but mine just may be worn from use. What isn't great is the D-pad and the shoulder buttons. The D-pad isn't really a D-pad, it has some amorphously round shape that never really felt right. This was corrected to a proper D-pad in the original S-version, but the new Duke is accurate to the original. I won't be using this controller to emulate any 16-bit platformers.

The original Duke didn't have "shoulder" and "trigger" buttons like modern controllers do. It just had triggers plus a white and black button located on the face of the controller. The Duke keeps the white and black buttons, but also adds contemporary shoulder buttons near the top of the controller that duplicate the black and white buttons. The problem is that the shoulder buttons are in a terrible place ergonomically. The controller just isn't shaped to accommodate these. You basically have to reposition your entire hand every time to reach the shoulder buttons, which isn't acceptable in actual gameplay with modern titles.


And then there's the last big flaw: the controller has no wireless capability. That wouldn't be a deal breaker if it was priced like other 3rd party wired controllers but instead it's more expensive. They had literally all the room in the world to work with here and they didn't fit Bluetooth capability into the thing. The animated jewel is nice but I would happily trade that for wireless. As a last major nit to pick, the wire is just a simple USB micro cable and doesn't include the breakaway dongle feature the original controllers had. This was a small segment of the controller's cord that was designed to easily unplug in case someone tripped on the cord. It was a great feature that was never repeated. I'm sure manufacturing something radical like that at such a small scale was impossible with the new Duke, but it would have earned Hyperkin bonus points in my book.

So there are definitely some negatives here. But that was always going to be the case, it's a recreation of a flawed controller that introduces some flaws of its own. It's a bit of gimmick, especially at $70 retail. I think $30 is probably a more reasonable price to pay to indulge in a bit of nostalgia. The parts of the controller that work well really work well. Playing the Master Chief Collection on my PC with a Duke controller is a surreal and pleasant experience. I suspect the controller is more likely to go on my wall as art than see everyday use, but I'm glad to see a niche product like this find success. 

And yes, I checked. It still works with Fuzion Frenzy. The game still sucks, but the controller works just fine.

Monday, October 5, 2020

Complete: Super Mario Sunshine


I've read Super Mario Sunshine called the "black sheep" of the Mario franchise. Polygon's review for the Super Mario 3D All-Stars collection is headlined: "Not even Sunshine can ruin this collection". Super Mario Sunshine's entry for "That One Level" is 1559 words long.

It's a game with some detractors.

I didn't use to be one of them. I played Sunshine back during it's GameCube heyday. It was a rare bright spot for an anemic console library. It was bright and colorful at the beginning of an era where browns and greens were the norm. The music is impossibly catchy and the tropical vacation theme is sometimes just the right feel when the real world is covered in snow.

But as a game it leaves a lot to be desired.

Even back in the day, Sunshine gave teenage me an observation. Sunshine's controls aren't bad in a vacuum. The problem lies in what the designers ask of the controls. Making minute controls to Mario's position is a problem. Light taps to the control stick are inconsistent in both which direction Mario ends up facing, but also what animation will trigger to get him there. Sometimes Mario simply turns like you would expect. Other times he takes a wide berth to get turned around, more boat than human. This isn't a problem, unless of course you design levels that require pinpoint precision with the control stick.

Sunshine very often requires pinpoint precision with the control stick. 

Platforming isn't a problem ... when it works. When you've designed the environment to give spatial cues as to where Mario is in a 3D environment? When you design the levels to give room for the camera at angles you can expect players to want? When you have a gradual difficulty curve that slowly introduces features and controls? Then platforming works.

Not only does Sunshine not handle these things, it actively shuns them. Similar looking platforms will be placed together, except farther platforms will be physically larger, making them seem closer than they appear and making jumps fiendishly difficult. Poor camera angles increase as you get further in the game. Nintendo clearly believes that fighting the foibles of the game's engine to be the core gameplay loop.

In fact, the designers clearly believed the weaknesses of the game engine was the most ripe for mining content. Even the smallest quibbles exist to be exploited for "challenge". For instance, talking to NPCs is a little off. You have to stand a little too close and there's a beat of lag from when you approach an NPC to when you get the "A" button indicator to talk. It's such a small thing that there's no real reason to even think about it.

Except, of course, in the level that relies on this clunky behavior in a timed mission.

But even fundamental concepts to a platformer are clunky as well. Momentum feels particularly unusual. Like illustrated in this playthrough of the infamous "Pachinko" level. (NSFW language). Momentum feels really off when jumping from one moving platform to another. You can see this wonkiness clearly on the boats around Delfino Plaza. In real life, if you jump up in the air on a moderately quick boat and you'll simply jump up and down like 'normal'. Momentum is relative to self. In Sunshine, it sends you flying backwards in an unnatural way. The developers count on this fact during a particularly obnoxious part of the game where one must jump from tiny boat to tiny boat. Missing requires restarting the very long sequence all over again. The problems with momentum are omnipresent, most of the difficult challenges in Sunshine involve moving platforms, it's a very core part of the game.

So that teenage observation? Many games, particularly in Sunshine, seem to have a divide between the designers and the programmers. The designers in Sunshine have a lot of level design ideas that seem good on paper. Such as navigating a boat using your water pack for momentum. But when you have to actually execute them in game it's a terrible experience. The designers are writing checks that the programmers couldn't cash. No one with any pull played through Sunshine and asked, "Does this kinda suck?" Sunshine's development feels like it was dictated to the dev team by someone who never played the final product. With an overhaul of the jumping and camera systems that underlie the game, Sunshine could be a fun and imaginative platformer. But that's not the game that was shipped

Thursday, October 1, 2020

Journal: Among Us, Mario, FF14, and Chicken Nuggets

It's been a hot minute since my last post. Last week was a series of ups and downs. I was sick all week (with non-Covid symptoms) and generally feeling miserable. But then I rebounded and feel more or less better than ever. I even got some gaming in.

The post today has a little bit different organization today.

Things I Did

Among Us


The new hip, young thing on the market despite being two years old and on end-of-life when Twitch got a hold of it. We got a group together of 7 of us from the old college days to give the game a try. It was fantastic. I was feeling physically like crap but still had a very enjoyable 3 hours of game play. It's essentially a murder mystery game, in the vein of Mafia, Caesar, Town of Salem, etc. I was surprised at how well everyone was able to play. While me and the wife we're on our fully-kitted gaming PCs, others were playing on budget laptops or their phones. It seemed to make no difference to the playablity of it all. Those who never play video games seemed to have had just as much success as those who do. We have another gathering planned for Friday. I'm looking forward to it.

Final Fantasy XIV - Weaver to Level 50

It's time to come to a sad, but necessary, conclusion. I don't really like crafting in Final Fantasy XIV. I don't hate it, but I also don't actively enjoy it. It took leveling 4 different professions to come to this conclusion, but here we are nonetheless.

I like the simple crafting "mini-game" in Everquest 2. Simple, pleasant, and easy to do while watching YouTube on another monitor. FF XIV attempts to make it's crafting more involved by throwing two hotbars worth of abilities at you. You don't have to use them all, but micromanaging your abilities to increase your chances of crafting rares is such a big experience boost I feel compelled to do so. 

I like crafting in MMOs to be an end-of-the-evening activity. In FF XIV it wants to be the main show.

Super Mario Sunshine

I caved in and bought the remastered ports of Super Mario 64, Sunshine, and Galaxy. The ports aren't exactly perfect, but they're good enough and it's nice to play Sunshine and Galaxy without hooking up the Wii or WiiU again.

After a couple of days of play I'm at 67 Shines out of 120. Let me just say they don't make platformers like they used to, which is a great thing because Mario Sunshine kinda sucks. The control scheme is imprecise given the challenge offered. I've always enjoyed the charm of the game, it was a rare game using a colorful palette in a time of browns and greens. But I'm finding a contemporary play-through to be less enjoyable than my memories had offered. 

I plan to get 100% completion before it's all said and done. Doesn't mean I'll like it though. I'll probably play Galaxy after this. I'd rather light myself on fire rather than 100% Super Mario 64 again; that has literally never been a fun experience.

McDonald's Spicy Chicken Nuggets

When it comes to food, especially fast food and junk food, I'm a sucker for limited time events. I've always meant to blog about my various indulgences but I guess I'm not that hungry in the mornings when I write.

The new spicy chicken nuggets from McDonald's aren't good. I guess they're not bad, because that would imply that have some sort of flavor to them. They are bland followed by a bit of spicy aftertaste. There's no reason for these things when Wendy's Spicy Chicken Nuggets exist. I don't want to meet the person who thinks McDonald's are better. Embarrassing showing by the arches. 2 out of 5 stars.

I also tried the Travis Scott burger. It's a quarter pounder with cheese but with bacon, lettuce, and a higher price point. It's a promotion with zero effort. 0 out of 5 stars.

I will now write an angry letter to McDonald's manager. I don't care if supply lines are compromised from a worldwide pandemic, this is a lackluster showing. My girl Wendy is running laps on Ronald right now.

Things I'm Looking Forward To

Xbox Game Pass

Drake Hollow looks like a family-friendly mix of survival game and colony-builder. Doubt I'll play it. Playing Doom Eternal on a console when I have proper gaming PC feels icky. I would say that I'm hopeful future Game Pass updates will be better with Microsoft's purchase of Bethesda, but I've either played or owned nearly the entire Bethesda catalog.

Grand Theft Auto: San Andreas - Iron Man Mod

A full conversion that let's you play various Iron Man suits in the San Andreas world. Looks like they've changed the map to have some Avengers-related areas as well. Why haven't we had a proper Iron Man game yet? There was the poorly received movie tie-in by Sega, the VR game, and the Avengers title that was newly released. But the closest we've gotten to an open-world Iron Man game is probably the Lego Marvel titles. Very odd. Either way, the link to the mod is here

New Smash Bros. Character

It's Steve from Minecraft. Or Alex from Minecraft. Or a Creeper or an Enderman from Minecraft. I look forward to playing this character exactly once in Adventure mode and then wondering why I keep buying season passes to a game I don't play all that much.

It's neat that Microsoft and Nintendo keep teaming up on things. Now if we can get Game Pass on the Switch and Microsoft offering their actual functional online infrastructure to Nintendo titles that would be great.


Wednesday, September 23, 2020

Another Day, Another Profession Mastered

I've been game playing considerably more this week than at any point in the past.

My grinding-lust in Final Fantasy XIV continues unabated. Alchemy now finds itself at level 50 with it's sibling profession Botany. I don't know why I routinely zero in on Alchemy and Herbalism/Botany in RPGs. I guess it just makes flavor sense to me. Foraging for materials and turning it into temporary buffs makes sense in my brain.

Whenever I play an RPG, MMOs in particular, I always "mentally" role play as a self-sufficient character. I don't treat my army of alts in World of Warcraft and their relative professions as distinct characters. They're all just extensions of my main's polymath gimmick. A one-man industrial powerhouse with a needlessly cumbersome UI.

Final Fantasy XIV is much more direct. Every job can be leveled on the same character. Heck, every battle class can be functionally leveled as well. This fits into my style from both a flavor and gameplay style a lot more.

So am I playing more because I found the right game? Or because I'm in need of a little more relaxation than normal? Bhagpuss posit that it's the weather that's inducing his gameplay mood. I think I've written about weather-related gaming before. I do end up playing a lot more in the late fall and early winter. It's a little early in the year for me to be on the uptick but it's been a weird year in general. 

I'm going to finish leveling my weaver and pugilist/monk to 50. At that point I need to decide between continuing with FF14, finishing off Tony Hawk Pro Skater 1+2, or, if Mercury is willing, my copy of Super Mario All-Stars 3D will have arrived and I can begin playing that.


Tuesday, September 22, 2020

Xbox Launch Woes and I Pick Some Flowers in FF14

Another launch day, another big bag of nothing for me. Despite making fun of Sony for their pre-order troubles, Microsoft showed no better ability to deliver a console to my hands. At this point I'd sell the family car for a slightly used Tiger LCD game.

It's a bummer, missing out on the launch hysteria these things always produce. It's easy enough to call it all a cynical marketing ploy (because that's exactly what it is), but I remember many launch events fondly. The Game Boy Advance launch where I almost got stuck with a hot pink version, until the retail worker found a purple one  behind the counter on the floor. I then preceded to burn through 2 sets of batteries in one day before investing in an AC adapter. The Nintendo DS Lite launch, the first major purchase I ever made with my own money. The WOW: Burning Crusade launch where me and a college dorm friend stayed up for the midnight launch at Gamestop. When their credit card reader went down it was a race to the ATM and back. Then we leveled Blood Elfs together. I genuinely enjoy getting caught up in the hype. My post yesterday was me pontificating on the practicality of entertainment; that we should embrace what we enjoy without hesitation. I enjoy launch days, but it seems I won't get to enjoy this one.

On the other end of the scale, I woke up yesterday morning and began leveling Botany in Final Fantasy XIV. Why?

Me neither little buddy. But now I stand as a somewhat-proud level 50 flower picker. Now that I think about it, I always level herbalism in World of Warcraft as well. I have never successfully taken care of a plant in my life, why am I drawn to it in video gaming?

Anyhow, as I was wondering about my sudden grind-lust, two entries in my RSS feed piqued my interest. Syp is grinding out levels in WoW Classic and Belghast is finding leveling relaxing in WoW Retail. Maybe as the outside world is spinning itself to pieces, several of us are finding the relaxing and steady nature of leveling to be a balm. MMO leveling as therapy. Which is good since my actual therapist is so booked right now I have to wait a month and a half in between appointments. 

I guess I'll level fishing next. My mental health depends on it.


Monday, September 21, 2020

Moral Minesweeper - Ethics in Game Buying

A thread of thought has been making it's way through my RSS feed as of late. It started with Wolfyeyes initially, then to Roger at Contains Moderate Peril, and onward to Telwyn at GamingSF. It concerns a common topic, one might even call it evergreen. It's the role of ethics in consumption in a capitalist society.

The last time I visited this topic was last year, when Blizzard found it wise to light itself on fire to please their betters in China. It was the Hearthstone fiasco where a professional player used their platform to support the ongoing protests in Hong Kong. Blizzard reacted harshly. They handed out a suspension longer than they give to actual cheaters, six months to be precise. Blizzard's messaging was also terrible: making it clear that disruptions to Blizzard's money streams were the company's sole concern. 

I can't speak to how the world at large reacted. Blizzard's already declining reputation as a maker of quality video games was certainly hurt, but the actual financial impact was small, at least in the short and mid-term. Will there be a long term affect? Who knows?

Taking a page form the Buddha's playbook, I can't control what other people do. Shitty people probably won't stop being shitty anytime soon. The people who work for those shitty people still have rent due to next month. And people will still buy the products of ethically bankrupt corporations. 

And that circles us back around to the topic at hand. As John/Jane Doe what is our place in all of this? I don't play Blizzard products anymore. In fact I don't even have Battle.net installed on my computer. But as I wrote back during that whole mess, this isn't a formal boycott. I don't have any interest in a 'political gesture' that literally no one will ever see, least of all those that I'm displeased with. 

But conversely, I'm also not inclined to pretend that Blizzard's downward spiral hasn't affected my enjoyment of their products. The same perspective that informed their view on Blitzchung's protests on their live stream, also informs the rest of their product stack. World of Warcraft is so hyper-focused on keeping players playing that they often forget to make anything worth playing. The Warcraft III Remaster is a mess that's flat out worse than the edition it replaced. WoW Classic is a perfectly great experience ... that had to be pried out of Blizzard's cold, dead hands.

It's not a Blizzard specific phenomenon. If you weigh your game down with endless monetization, it usually compromises the gameplay experience itself. If you endlessly crunch your staff, you usually end up with a game that's had all the soul sucked out of it. If you launch a game before it's ready to meet your quarterly guidance, you end up with a game that may very well not work at all.

I'm not so naive as to believe that this is always the case. Of course you can list products that had a tortured development and nonetheless came out pristine. But that's the exception rather than the rule. It's hard to produce something great when your production is flawed. For every Red Dead Redemption 2, there's a L.A. Noire and a dozen or more other projects that abused their staff and came out the worse for it. 

My gut instinct: you don't need to keep a list of every game that might have been made under ethically dubious pretenses. You don't need to articulate an absolute line a developer/publisher can cross before you won't buy a product. I genuinely think that these matters eventually sort out. I don't mean they sort themselves out, mind. Talented workers push back against overbearing bosses and use their leverage to improve work conditions. The same workers leave the AAA grind and start their own companies. Journalists expose bad behavior and become the nightmare of these company's recruiters. And yes, the ever temperamental fan base, will occasionally roar into action and end a few careers over the most egregious, and visible, of the sins.

Things are better. Not everything is better. Progress has never been efficient and it's never pointed in one direction. Sometimes the setbacks are absolutely demoralizing. Victories in this area are rarely given the headlines of the defeats. They certainly aren't given the same emotional bandwidth. 

When this topic comes around, it's easy to try and separate our feelings into silos. Our enjoyment for a game in one, our displeasure with how it was made in another. Should we focus on the meddling of the executives? Or should we focus on supporting the rank and file who actually made the game? I think the dichotomy itself is a mistake. 

Video games are entertainment products. Either they entertain us or they don't. If the behind-the-scenes news of a game affects your enjoyment of it, I see no reason to bury that feeling deep down inside. There's nothing heroic about it. Separating the art from the artist is a mug's game. This stuff doesn't enter our world by way of wormhole. How something is made is inherent to what eventually becomes. Why ignore that? A video game either makes me happy when I play it, or it's worthless. There are no other metrics here. I don't need to qualify a damn thing about the experience that I don't want to qualify.

But, if you buy and enjoy a game you have misgivings with, then you just have to be honest with your feelings on the matter. The scrambled eggs you had this morning have nothing to due with Humpty-Dumpty's fall. You're not complicit in shit. Ubisoft executives aren't sexually harassing an employee for every copy of Far Cry 38 they sell. It's not heroic to beat yourself up about something you can't actually control. It just bleeds away the energy and confidence to do something about matters you can control. If it's not affecting how you feel about the game than that's how it is. There are no gold medals for hating yourself sufficiently.

But my perspective on the matter is an inherently optimistic one. Which is unusual for me. I have a lot of faith that good processes result in good products. Not all the time, just most of the time. Complex process usually work like that. And we all know that making video games is a very complex process.